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DTSTART;TZID=UTC:20260410T184500
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SUMMARY:Dalston Song Club: Wounded Bear
DESCRIPTION:Doors 6:45 PM\, Music 7:15 PM – 1 set of music\nAbout\nDalston Song Club \nOur monthly series brings together some of the most prominent voices in contemporary songwriting\, hosted by Matthew Herd. April sees the return of the amazing Wounded Bear\, who is currently working on their new album. \nWounded Bear \nWounded Bear is the songwriting project of Josh Finn\, a narrative songwriter whose intricate fingerpicked guitar and understated vocals can bring moments of stillness even to busy rooms. His debut EP A Calm Night for a Bullfight gained attention from Benjamin Francis Leftwich\, whom he later supported on tour\, and was featured by Ear to the Ground Music in their list of “songwriters that could change your life.” Alongside his own releases\, Finn also co-wrote the song New York\, later performed live by Matt Healy of The 1975. \nHis songs often unfold like short scenes: wine drunk from coffee cups\, bars filled with waitresses dressed as cheerleaders\, and optimistic lovers talking about their future as planes pass overhead. Small moments of magic\, carefully observed and hidden in the everyday lives of ordinary people.
URL:https://staging.vortexjazz.co.uk/event/dalston-song-club-wounded-bear/
LOCATION:Vortex Jazz Club\, 11 Gillett Square\, London\, N16 8AZ
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DTSTART;TZID=UTC:20260410T194500
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SUMMARY:Larry Bartley/Bruno Heinen/Winston Clifford
DESCRIPTION:Doors 7:45 PM\, Music 8:30 PM – 2 sets of music\n  \nLine-up:\nLarry Bartley – Double Bass\nBruno Heinen – Piano\nWinston Clifford – Drum kit \nAbout:\nPlaying a mixture of original compositions written by each member of the trio. \n“Excellent Bassist\, with a distinct Mingus-like drive to his propulsive bass lines”___ Time Out \n“[compositions] …supple\, sensitive and full of detail.”___ Financial Times\n“Erudition\, eclectic studies and a jazz sensibility make Heinen the kind of newcomer who repositions the goalposts.”___ John Fordham\, Guardian \n“Clifford’s rock-solid yet ever-flowing time combined with the utmost dynamic imagination and subtlety\, was a joy throughout. Whether using stick\, brush or hand\, his simultaneous precision and flexibility of touch and tone… recalled ( but never imitated) the snap-crackle of Roy Haynes\, Ed Blackwell\, and the all-round imagination of Brian Blade.” ___ Jazz Journal International\, \n\n 
URL:https://staging.vortexjazz.co.uk/event/larry-bartleybruno-heinenwinston-clifford-5/
LOCATION:Vortex Jazz Club\, 11 Gillett Square\, London\, N16 8AZ
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